
A conglomerate of three museums and the Verlag der Buchhandlung Walther und Franz König has just published a catalogue dedicated to a number of major recent works and series by Anna Boghiguian. In addition to an introduction by curators Nuria Enguita, Ann Hoste and Thomas Thiel, it contains essays by Quinn Latimer and myself, and a conversation with the artist by Pip Day and Pablo Lafuente.

My own contribution focuses on the motif of the Suez Canal in Boghiguian’s work, which triggers a series of reflections on colonialist globalization and corporate deterritorialization, on mimesis and construction, on instrumental reason and artistic research.


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