Issue no. 183 of October contains my article “Organizational Aesthetics: On Certain Practices and Genealogies.” This text examines organizational forms in art since the 1990s. With this obviously a partial and partisan mapping, I hope to open a fruitful line of inquiry. The text is part of my ongoing Forms of Abstraction project, and will form the basis of a chapter in the second volume, Personafications—which, I hasten to add, will not be for tomorrow, or even for next year. These things take time.
Image: opening of Jeanne van Heeswijk’s Trainings for the Not-Yet (2019).
I’ve contributed a short essay to a new limited-edition book by artist Philipp Gufler, A Shrine to Aphrodite, which focuses on his mirror paintings and associated performances and films dealing with reflection and narcissism. From the text: “Gufler’s ‘mirrorical’ art passes through the looking glass; his spaces are traps for the gaze. The reflective surfaces and diaphanous scrims in his oeuvre function as projection screens and as obstacles in games of identification and disidentification; recognition and misrecognition; self-performance and self-alienation.“
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