Issue no. 106 of New Left Review (July-August 2017) not only contains an exchange between Nancy Fraser and Luc Boltanski and Arnaud Esquerre on value in contemporary capitalism, but also my article “The Juridical Economy,” which is a significantly extended and developed version of my essay “Legal Forms, Value-Forms, Forms of Resistance,” which was commissioned by Contour Biennale.
Image: Forensic Architecture’s reconstruction of the murder of Halit Yozgat in Kassel (2006), commissioned by the tribunal NSU-Komplex aufklösen/HKW/Documenta 14.
This summer, a German group of artists and writers calling themselves Eurogruppe published the first issue of a zine titled Intercity (a self-described “Zeitschrift für Föderalismus und Polyamorie”), for which they translated my 2016 e-flux journal essay “Who Makes the Nazis?” The magazine is apparently distributed for free within certain networks in Germany. The editorial address is listed as BRD Exil, c/o CONRADI, Rue de la Régence 67, 1000 Brussels. Not much seems to be going on at https://eurogruppe.be yet.
The essay was originally published in e-flux journal in October 2016, so still in the pre-Trumpocene. I was guest-editor for this issue, titled “Perfect Storm,” and on September 30 I sent in a draft for the editorial, which started as follows: “On November 8, 2016, Donald J. Trump will win the American presidential election.” I was told that this would never happen, and the editorial was published without the offending opening salvo.
In an accelerating catastrophe, texts responding to political urgencies can date quickly. “Who Makes the Nazis?” is no exception, yet like the “Perfect Storm” issue as a whole it still provides elements for a fundamental analysis of the rightward drift of American and European politics. “The Powers of the False” from Texte zur Kunst is a more recent sequel of sorts.